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In Front of the Sky 1987-1989
In early 1987, I was ready for a change in my work. I sort of knew where I wanted to go next. I wanted to leave the approach to photography that was site and subject specific. I wanted to wander again and respond to my intuition.

I still wanted to explore color as a component of the work but make it less of a form of eye candy. So I started cross processing high speed film, to give the new work some of the grittiness I admired in the work of Bill Brandt and 1950s street photography.

In the early gestational days of this project I applied for a Creative Artist Fellowship from the Michigan Council for the Arts. They wanted a proposal of for what I would do with the grant. This project was so early in its formation that that I did not fully know how to explain my goals. So I did my best to describe something that was instinctual in words. I proposed a project entitled In Front of the Sky, thinking that was vague enough to cover whatever the project evolved into.

I was awarded the grant. I continued to follow my intuition in an era dominated by documentation, formal conceptual frameworks, and compartmentalization. I instead rambled about, and then responded.
Cadillac and Cross 1988Chinese Restaurant 1987Del Ray Mural 1987Easter 1988Golfers 1987Jehovah Wittnesses 1988Last Temptation of Christ protest 1989Lone House 1987Memphis 1989Motor City Dragway 1987Orange Chair 1987Painted Lines 1987Playground 1988Smokestacks 1988Wires 1988Wooden Sign 1989